I had lived at 15 Tietje Drive for years, as a child. I rode my bike up and down the adjacent stretch that was Concord Dr. more times then anyone could care to count, and my feet beat their way in the mornings when I'd walked to school. I had spent interminable days locked out doors - ostensibly because it was a nice day outside, but perhaps because it afforded my parents ample time away from my brother and I's incessant bickering, back-biting, and outright physical combat.

Basically, I knew my neighborhood well. I lived in it.

One day, I noticed a speed limit sign just off the curb coming into the neighborhood.
25 MPH.
I'd never, ever noticed it before.

The unexpected and the new are the roots of both delight and fear, but while novelty spawns interest, something acting other then it should spawns disquiet.

There was nothing unusual about the sign. It was made of metal and planted quite deep. My parents insisted that it had been there as long as I had (and indeed, it's there today) and ventured a kind of startled amusement that I had never noticed. "That boy," they said, bemused. "would not know if his head were missing." But for me, it had never been there. I stood unnerved and a little bewildered. How could I have missed this sign for so long? But, well, it was just a sign. There's no twist to this story. I became as used to it as anyone else, now that I had learned to see it.

Familiarity breeds contempt, as they say. And how right they are to say it.

There's a lesson here. I'd like you to imagine something.
Your home is quiet and you're alone, enjoying a peaceful night in who knows how long but it's getting late and you've had a long day. You decide to run a bath before bed and the water's hot enough to fog mirrors and slick panes. Finally, you're done and wrapped in a towel, you open your bathroom door. 

Across the room from you is a door you've never noticed before.

It's motel-room white, with a plain but serviceable looking doorknob. It doesn't really fit with your home's decor, but aside from the fact that you've never remembered seeing it before, there's nothing particularly unusual about it. You've lived here for months - maybe years. The landlord showed you around. You checked every possible room before you moved in. You even remember tapping the walls to check insulation.

There's nobody around to ask. You realize you're getting cold, standing around in your towel.

What do you do?

You get dressed for bed, with your eye on the door. Do you knock on it? It's silly. What if someone answered? You examine the doorknob. It has a key hole. There's no light coming from underneath. There's no sound on the other side. You try the knob. Gingerly. Gently.

It catches. It's locked. You're alone in your home at night, with an unfamiliar locked door. Think about that for a little bit.

At first, it's disquieting. But you spend an uneventful night, worried about it before your housemate comes home.
"Oh, that?" they say. "Yeah, it's just a closet. I don't know why it's locked." they say, unlocking what appears to be a shoddily painted but normal looking closet. "You don't remember it? It's been here since we moved in." You can swear otherwise, but they're adamant. After all, closets don't just appear. You store coats in there, Christmas gifts. You chuckle to yourself about how you never saw it before and you gave yourself quite a fright. It's very easy to ignore something your sense and mind tell you when it defies the norm.

It's fine, really, until one night you're alone and you hear the doorknob turn behind you.
Tags:
atolnon: (Default)
( May. 6th, 2010 02:42 pm)
I'd talked to my adviser who recommended a 10 page short story to go along with my submission to become a grad student for my MA in English & American Literature. His supposition and my reading was wrong; it's a 10 page academic paper, which is actually just fine with me. I spent about 5 hours researching on and off on Tuesday using source links from Wikipedia re: Pattern Recognition and Spook Country.  Today I brought Pattern Recognition and Discipline and Punish. I'm writing on Gibson's use of isolation and community as it works with the themes of these two newer works; close enough in theme to cyberpunk without the trappings that we'd now regard as hokey, works with the focus away from 'genre literature' that the department is keeping away from on the graduate level while retaining modern sensibilities. Themes of isolation, dealing with a modern world where it's possible to retain a sense of community to a group of people you've never met in person from anywhere in the world.

yada yada yada. I really feel like Gibson's works captures these themes excellently. For all that he's writing a thriller or a piece about post-cyberpunk technofetishism, it's really about community.

I think. I will absolutely be yammering on about this.

It was busy earlier today, so instead of working, I just surfed the net for horror stories. RPG.net is/was on a Zalgo kick. He comes, ect, et cetra. Zalgo interests me only slightly. It suffers from a case of trying way to hard, like when someone tries to use slang but doesn't understand emphasis or context. I'm not going to crowd this post with text and links today, but I was thinking about it a bit. Sometimes I get a call with dead air. I imagine, just for a moment, that the silence will be broken with anything - sobbing, screaming, anything that shouldn't be there. Hanging up the phone, there's no little recourse.

If you were living your life, and something demonstrates some uncanny reality, it's still there to deal with. The hungry dead, voices on the line, images on your set, disjointed reflections in the mirror. No matter how terrible, the rest of life never goes away. Much horror ends with death after revelation. This prevents having to reconcile the new world with the old one.



.

Profile

atolnon: (Default)
atolnon

Syndicate

RSS Atom

Most Popular Tags

Powered by Dreamwidth Studios

Style Credit

Expand Cut Tags

No cut tags